Last Week in Horror News: November 29th to December 6th


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Theatrical Trailers and Clips

  • CASE 39 – Two new clips for the long-shelved Renee Zellweger, Bradley Cooper and Ian McShane thriller.
  • DAYBREAKERS – A new teaser spot for the damned fine flick out in January.  Review here.

Studio News and Attachments

  • ZOMBIELAND 2 – Is official and will be shot in 3D.  Woody Harrelson and Jesse Eisenberg are assumed to be returning, but no word on Emma Stone or Abigail Breslin.
  • BAD MONKEYS – Matt Battaglia (who produced the cool, but languishing in release flick KILL THEORY) is producing BAD MONKEYS, a script about a girl who, when arrested for murder, claims to be part of a secret society dedicated to fighting evil.
  • ENDANGERED SPECIES – Eli Roth’s next project as a director is still undergoing some script tweaking, after Roth showed a draft to Quentin Tarantino, of course, as well as some f/x tests to determine how it will be shot.
  • “HOWL” – In an attempt to get some of them Twilight monies, Fox and DreamWorks are teaming together to make a show about rival werewolf families in Alaska.  Should have just called it “TEAM JACOB CASH-GRAB”.
  • HATCHET 2 – The sequel to Adam Green’s swamp-killer “throwback” HATCHET is moving along at Anchor Bay and the first official new cast member is none other than Daniel Harris.

Remakes

  • PHONE - The rather unimpressive K-horror flick PHONE (review) about a…killer phone… has been optioned for a US remake by Imprint Entertainment.
  • THE AMITYVILLE HORROR – Dimension Films is planning on remaking AMITYVILLE yet again.  Because it turned out so well for all involved with Platinum Dunes did it 4 years ago…

Indie, Foreign and Random News

  • RIP Paul Naschy – The Spanish Lon Chaney passed away this past week at the age of 75.
  • Universal Classic Monsters – Universal’s new site for THE WOLF MAN remake features a loving tribute to its stable of classic monsters equipped with playable soundtracks and more.
  • Sundance 2010 – A look at the intriguing lineup for next year’s midnight movie slate at Sundance.
  • FROST ROAD – Keith Arem is making the jump from the video game world (he directed the cutscenes in MODERN WARFARE 2) to the big screen with FROST ROAD, a story about “the survivors and victims of an invisible contagion in a small coastal Eastern town.”
  • NIGHT OF THE LIVING DEAD: ORIGINS – The cast for the animated prequel film to NOTLD voice cast includes Danielle Harris, Mos Def and Bill Moseley.
  • LEFT FOR DEAD – Albert Pyun is making a western-set horror movie called LEFT FOR DEAD, which will be told in “almost real time”, not unlike Pyun’s INVASION (review), which was laboriously told in real time from the dash-cam of a cop car.
  • ALONE IN THE DARK II – Will be out on DVD January 26.  Just an FYI since I know everyone was eager to mark their calendars.  Note: this one has almost nothing to do with Uwe Boll’s film.
  • PIPER – Zenescope Entertainment’s comic PIPER about a bullied kid in high school who channels the malevolent spirit of the Pied Piper is heading for the land of film.
  • SOME GUY WHO KILLS PEOPLE – John Landis is producing a film called SOME GUY WHO KILLS PEOPLE.  Awkward.

Non-Theatrical Trailers and Clips

  • PHOBOS – Co-eds locked in an underground bunker in Russia does not at all look like THE HOLE on steroids…
  • THE DESCENT 2 – Clip.
  • FRITT VILT 3 – Norway’s first slasher (known as COLD PREY in the States) gets another sequel.

Et tu, ‘Cyber-Horror Elite’?


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You’ll recall that Brian at The Vault of Horror polled the LOTTD to aggregate a democratic Top 50 Horror Films of all time list.  While I wasn’t in harmony with the general consensus and placement (4 of my 10 made the cut), by no account was a single undeserving film in the top 10.  A few sites around the net took offense to the lack of criteria in the listing process, so The Vault set out to do another, dubbed the Modern Era, with a set standard: Top 10 since 1990.

Brian even branched out, polling beyond the LOTTD to include members of prominent horror outlets.  Talking with him before the results came in I had asked if he would mind me posting some predictions.  Sloth stepped in and that never happened, but my mental sticky note nailed the Top 3.

Correction:  Unfortunately, my mental sticky note nailed the Top 3.  I think you know where I’m going with this.

Of course THE DESCENT was number one.  I knew it would be, but that makes this no less painful.  I’ve railed time and time against the praise the movie has recieved; I need not repeat my bludgeoning of its mediocrity an Nth time.  All I ask is for a little perspective, folks.

I’m not sure why I’m writing this; three years on and I still hate THE DESCENT.


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No film in the history of this website has wrought more word heat than Neil Marshall’s THE DESCENT.  Not even the scourge that was PROM NIGHT 2K8 comes close to how much hate I’ve poured unto the cave bound invalid.  Yet for some reason, this film, a film I’ve called on good days a “headache” and on bad days “soul crushing“, has become my white whale.  When the moons of Big Red align just right, a resistor some where deep in the logic circurity of my pink 3 lbs slips a few ohms and I think to mahself, “I should give THE DESCENT another try…” There is often a backup resistor, a vanguard in me of perpetual grudge to remind cognitive Pete that THE DESCENT is a cruel experience, but that trooper has to sleep too and thus nights like this find purchase.

It has been three years since I first took in THE DESCENT.  Tonight marked either the 4th or 5th instance since and I hope for my own self esteem it was the former.  Yet no matter how many calendars rise and fall between cursings, I just cannot see what other people see.  Those people, be they personal pals like Beau who loved it or Internet strangers like Weinberg who swear by it, are people whose opinions on film I typically trust implicitly.  Yet, I remain on a different page, blind and unreceptive to the mojo at large.




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