Posted by: Brian Salisbury
In preparation for that glorious week of genre film geek bliss that is Fantastic Fest, we thought we’d offer up this preview of all the horror titles to be featured this year. The subgenres range from ghost stories, to apocalyptic anthologies, to documentaries on various horror subjects. Independent, foreign, and big studio titles are all represented in the 2012 slate. We’ve provided trailers, where available, to give you a little taste of what Fantastic Fest audiences will be seeing. If you’re not one of the lucky ones who’ll be attending this year, use this post as a guide for what you should be watching for on VOD, on Blu-ray, or in theaters over the next several months.
The lineup is, unsurprisingly, fantastic.
Posted by: Seth Hall
Sometimes, despite everything, you still have to remain optimistic.
The trailer for Sinister has made its grisly debut. I have to say, my attention is piqued, despite the fact that the credits attached to the film have me more than a little concerned. To begin with, the director and co-writer is Scott Derrickson, best known for The Exorcism of Emily Rose. I have not seen The Devil Inside, so I feel comfortable calling Emily Rose the worst exorcism movie I have ever seen.
Second, is the quick trailer credit of “From the producer of Paranormal Activity and Insidious“. Granted, we know this generally means absolutely nothing. However, I choose to make a mountain out of a molehill. I saw both of these films relatively late, but both had been built up by everyone around me. I was promised to be terrified. I found Paranormal Activity to be a competent film, but by no means scary. I was even more disappointed with Insidious. It had all the right ingredients for a great haunted house film, but made so many cliched, juvenile, tired, dated horror movie mistakes it caused me to go on a psychotic Twitter rant (which led me to this gig, so maybe I should thank the movie).
Posted by: Brian Salisbury
True crime novelist Ellison (Ethan Hawke) moves into a new home with his wife and two children. After achieving great success with his novel Kentucky Blood ten years prior, Ellison has struggled to recapture both the critical acclaim and financial returns of his nonfiction opus. Desperate for inspiration, and unbeknownst to his family, he purposefully moves into the home wherein an entire family, save one missing daughter, was murdered. While unpacking, he discovers a box of Super 8 films in the attic; the contents of which, once viewed, can never be unseen. That’s all I’m going to say in terms of plot, and I’ll only say that much so that you can make an informed decision about seeing this film, and not be swayed by the promises/portents of what it is not.