Posted by: Seth Hall
It seems that horror runs in the family.
Brandon Cronenberg, son of David Cronenberg (The Dead Zone, The Fly), made his debut at the Cannes Film Festival with Antiviral. Now, IFC Midnight has obtained the rights to distribute the film in the United States. Cronenberg, the younger, also wrote the screenplay, and the film stars Caleb Landry Jones, Sarah Gadon, Douglas Smith, and the ever-terrifying talent that is Malcolm McDowell.
The plot is, well…disturbing. Yes, that is a word tossed around the same way “adrenaline-pumping” or “edge of your seat” is for action films, but I am not using this adjective lightly. Jones plays Syd March, who works at a clinic that offers injections of virus cultures collected from ill celebrities to their obsessively adoring fans, for a price. The practice is described as a sort of “communion”.
Posted by: Seth Hall
There are many types of horror films. There are zombies, serial killers, demons, and things that go bump in the night. But few things can reach into the deepest realms of our minds and raise our pulses quite like the cold touch of the specter; the chill piercing the lungs like frozen needles. Oh, yes. A good haunted house film is classic, and quite the commodity.
Peter Weir (The Truman Show, Master and Commander: The Far Side of the World) is currently set to direct and write the film adaptation of the gothic haunted house thriller The Keep, based on the 2006 novel by Jennifer Egan. The story centers around two estranged cousins who reunite at a castle in central Europe, in an effort to establish a sort of alternative resort. However, something in the castle has other plans, as the anguish and fears of childhood resurface like an angry, vicious soul rising from a grave.
The book has been described as The Ring crossed with Inception.
The Truman Show established Weir as a man who could take what was at the time the new and shocking concept of reality television, and bring it to the most extreme, and almost terrifying, ultimatum. Think about it. Truman, a man, a human being, is essentially a society-sanctioned slave; a piece of property intended for the entertainment of the detached masses. The idea of being trapped in a constructed world, no matter how “perfect” the community is made out to be, would be enough to drive one past the blurred line of paranoia and closer to the boundaries holding one’s psyche in a state of stability. Regardless of what is doing it, be it a monster, ghost, or television crew, being trapped is one of the most primal fears we can face. And we must fight to escape. I have rarely cheered so ferociously for a film protagonist as I have during Truman’s attempt to face his deepest fears and make his own escape from his prison in paradise.
Posted by: Seth Hall
Welcome, mortals, to The Weekly Offering. Here, we present our dark gifts in hopes that we please the Ancient Ones, that they might spare us. They are satisfied with our humble sacrifices of news, images, reviews, and commentary through the week, but on Fridays, they desire more. Their weekends, their unholy Sabbath, know no bounds. And so, to satisfy their bloodlust, as well as yours, we bring you these short, savory offerings.
Amy Adams May Be Heading for Some Dark Places
What is it about the redheads?
The ever-adorable and very talented Amy Adams is in talks to cross the threshold of horror, and star in the film adaptation of the acclaimed novel Dark Places by Gillian Flynn. The film adaptation was written by Gilles Paquet-Brenner, who is also directing. If confirmed, Adams will star as a woman named Libby Day, who witnessed the murder of her entire family when she was a child; days later testifying that her brother was the killer.
A quarter of a century later, a mysterious organization known as the Kill Club, who attempt to solve the worst of crimes, confronts her and forces her to face the truth.
In the eyes of the Ancient Ones, Adams is always a joy to behold, and to see her take on a darker role will hopefully be the start of something bloody beautiful.