SXSW 2012: ‘V/H/S’ Rewinds The Fright & Resurrects Dead Formats


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In early to mid 70’s the face of Hollywood was changed forever by a new wave of horror directors. One of these directors was Steven Spielberg who would direct episodes of Alfred Hitchcock Presents, films like Duel and Jaws. Other members of this motley band of friends included George Lucas with his tale of a dystopian future THX-1138, and Brian De Palma with his take on Steven King’s classic, Carrie. Movie making is a collaborative effort and many times these directors collaborated and critiqued each others work.

Fast forward to 2012, where a new wave of horror directors has entered the Hollywood scene. These directors include Ti West, Adam Wingard, Joe Swanberg, Radio Silence, Glenn McQuaid and David Bruckner. The horror output of these up and comers includes: The Signal, The Innkeepers, The House of the Devil, A Horrible Way To Die, You’re Next and I Sell The Dead. V/H/S is a film that unites these directors’ unique perspective on horror into an anthology of 5 short stories.

ASYLUM (1972) Review [British Horror Anthology]


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Directed by Roy Ward Baker, 1972
Written by Robert Bloch


A young psychiatrist, Dr. Martin, is looking to fulfill an empty job position in an insane asylum.  He arrives at the asylum, and upon meeting with the head physician he’s told the reason why a job opening exists.  One of the former doctors has him/herself gone crazy, and is in fact one of the patients currently being treated at the hospital.   Dr. Martin is then presented with the challenge of identifying his predecessor amongst the inmates, and if he can rightly guess which of the patients was a former psychiatrist in that very hospital – relying only on his interrogation techniques and listening skills – the head of the facility will grant him the open position as he’d be deemed capable of fulfilling the needs demanded by the job.

Dr. Martin then makes his rounds through the rooms of the four incarcerated mental patients, and listens to the crazy story each has to tell as to why they’re being detained; and each story is almost as crazy as the one before it.  The good, young doctor studies each as they delve into their history and open up about being a mistress caught in a murder conspiracy, a tailor hired to make a suit using a very unique sort of material, a ‘sane’ woman ‘wrongfully’ accused of murder, and a man obsessed with creating miniature figurines that each have an actual working biology underneath their plastic exterior.

ASYLUM is indeed a horror film anthology.  The majority of the time is spent showing us each story told by the inmate in flashback form, and in typical anthology fashion none of the stories have any direct correlation with any of the others.  However, unlike a lot of other anthology pictures each story does have an impact on the overall proceedings of the main plot, which is somewhat a story of its own.




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