The Devil Inside Review


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The Devil Inside, directed by Stay Alive‘s William Brent Bell, is the story of a young woman whose mother was committed to an asylum after she murdered three people during an exorcism; her own exorcism. The young daughter is now traveling to a hospital in Rome, where her mother was transferred, to examine the validity of her possession. She brings along a film crew to document the experience. As you have probably guessed from that last sentence, The Devil Inside is a found footage movie. More to the point it may be the end-all-be-all argument against found footage movies forever more. It is certainly among the worst I have yet seen.

In in the interest of full disclosure, I will admit I am a fan of this still young subgenre. I feel there is something to be said for the dismantling of the fourth wall and the safety net it provides us as jaded horror fans. That being said, I refuse to accept that any horror film told through the lens of a character-mounted camera is worth celebrating. But for much of its runtime, The Devil Inside‘s most heinous crime is that it courts convention with boyish adoration. It brings in plenty of manufactured experts to interview, it points out the multiple cameras in a given space, and employs some of the best looking fake news footage to date. Basically, it goes full faux. Within those moments, there are some exceedingly conventional tropes that will startle but not scare, eliciting a reaction that won’t linger in your consciousness beyond dying of the last murmur in the theater. And then there are some moments of stillness and some wicked contortion artistry that work fairly well and seem to promise a wholly passable found footage romp.

Halloween White Elephant: Galaxy of Terror (1981)


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From Jacob Hall–“This is one wacky movie. I’m not sure if it’s a good movie, but man, seeing this with a packed audience in a real movie theater was one hell of an experience. This movie is like bad dream: incomprehensible, driven by ludicrous jumps in logic and sanity instead of story and filled to the brim with alien worm rape. It also features Sid Haig as a man who really, really loves his knives, so there’s no way it can be all bad.”

Galaxy of Terror felt like a punishment.  What did I do?  Maybe this was because I liked the recent remake/prequel of The Thing (it’s not great, but I didn’t hate it).  Surely, if I liked one cheap, crappy cash-in, I’d like another?




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