These are some expanded thoughts from this mini-review at HorrorSquad.
I haven’t seen
LONG WEEKEND, Colin Eggleston’s original 1974 Ozploitation film about a couple who venture into the wild for a few days only to discover that Mother Nature’s creatures great and small don’t take kindly to their intrusion, so I can’t speak as to how different Jamie Blanks’ update on the film is. However, I imagine it can’t be too different considering the screenwriter
Everett De Roche can be found over at IMDb
stating, “I wrote both the original and the remake, and yes, Director Jamie Blanks insisted on a verbatim version, although I was able to insert a few more spooky bits.” Now that begs the question of whether or not a near verbatim remake was necessary at all. Again, I can’t attest since I haven’t seen the original for comparison, but what Blanks delivers is an interesting enough diversion from typical stories of this ilk.
I don’t think NATURE’S GRAVE, as LONG WEEKEND has been retitled by Screen Media Films for distribution in the States, is as engaging as Blanks and Roche’s last collaboration, STORM WARNING, but it’s a likeable adult take on the nature-gone-amuck subgenre. This isn’t some Syfy Saturday premiere of all animals versus all humans, it’s a scaled story of a couple going through a severe rough patch in their relationship that happen to be assaulted by eagles and ants and mysterious shadows in the water. James Caviezel and Claudia Karvan are both good in it and there is a palpable air of dread to the entire thing that I admired more on a second go, after I was no longer expecting all animals versus all humans.
I also admire how relatively objective Roche’s script is. Sure there are obvious shots of the married couple needlessly abusing nature, of Caviezel’s character of Peter chopping down a tree for no reason or Karvan’s Carla smashing a bird’s egg in a fit of fury. But it’s not a preachy, “This is what you get when you don’t recycle” kind of approach. Peter and Carla are Joe and Jane Schmoe characters. They’re already irritable from a marital problem whose origin is unclear, so their disrespect for nature is a realistic expansion of being consumed with frustration for each other. It’s not so much that these two, specifically, get what’s coming. It’s more so that irresponsible and disrespectful people in general get what’s coming, which is a horror movie message I can get behind.
NATURE’S GRAVE is the kind of movie you put on on a Saturday afternoon, maybe while you’re paying bills or cleaning up the living room. And that’s not a condemnation. I’m not out to imply that there’s anything in Blanks’ film or Roche’s script that crumbles when given undivided attention. There are just some movies that play better in the background than others. NATURE’S GRAVE will snap your attention from time to time, whether it be with a revelatory barb of dialog or a new threat from Mother Nature, but it’s not going to blow your mind and that’s perfectly okay. It has some memorable moments, foreboding photography and it ends exactly how I wanted it to end. That’s about as Saturday afternoon as it gets.
Tags: Eco-Horror, Jamie Blanks, Jim Caviezel, Long Weekend, Nature Gone Amuck, NATURE'S GRAVE
I loved Long Weekend and can’t wait to check this out because of that fact and also because I dug Storm Warning. But what horrible cover art and why’d they have to go and change the title of the movie to the awful ‘Nature’s Grave’?
Was this the “new” Jim Caviezel movie that almost snagged you an interview the guy? That poster makes it seem so “SyFy channel original-y”
Johnny Boots, no idea why they did either. Shrug.
Brad, yeah, this was it. I even sent off some simple questions, but I’m doubtful they’ll be answered.
Yeah, horrible cover art. Good movie though. Has a freaky concept in it and great acting. I’d recommend it to anyone that enjoys horror.
My husband and I saw it a few nights ago and were rivited to the screen the whole time. And the last 20 minutes or so had us on the edges of our seats. Jim Caviezel and Claudia (?) gave wonderful performances and the cinematography was amazing.